Özet:

The poems of Yunus Emre assessed in the shathiye style are founded with images that are not directly consistent with each other in terms of meaning, far from rationality and in this context are expected to bring with them a different style of acceptance. From these imagery, many of the approaches suggested to these poems are that the word of Yunus Emre used a symbolic language here. Thus, it is assumed that the words covered above in these poems contain the concepts of deep Tasavufist thought so that they are designed with the presentations of a conceptual world. Nevertheless, the fact that these assessments are mostly made by the thought of Tasavvuf, is as if it has brought with it the habit of one-way approach to these kinds of poems of Yunus Emre. In addition, the similarities between a poem in the shathiya style and a text established by the flow of consciousness appear to be a call to read these poems of Yunus Emre, through the technique of the flow of consciousness and from a different perspective. This study, in general, tries to suspend the mostly adopted reading habit to the chapters of Yunus Emre so far, and is based on the possibility of reading them through the fiction of the flow of consciousness.

Anahtar Kelimeler:

Özet:

Some of Yunus Emre’s poems are built on images that do not reconcile directly with one another in terms of their meanings and are distant from rationality. Therefore, his poems are typically received by readers differently compared to other literary works. Such perceptions have been used as foundations for the development of various approaches to Yusuf Emre’s poems, which are considered shathiya. These approaches are centered on the idea that in his poems, Yunus Emre has employed symbolic language with a definite rationale in mind. This approach suggests that the embedded phrases in his poems are based extensively on the tenets of Sufi philosophy. Consequently, it is presumed that the poems are constructed with allegories to the conceptual universe. However, the fact that all the commentaries on Yunus Emre’s poems have been centered exclusively on the principles of Sufi philosophy has given rise to a one-sided consideration of his poetry. In addition, the similarities between the shathiya and stream-of-consciousness texts seem act as invitations for readers to interpret Yunus Emre’s poems from the shathiya perspective. This study is an attempt at diverting readers from interpreting Yunus Emre’s poems exclusively in the light of the shathiya-type poems and encouraging a shift in focus toward the possibility of reading these poems as works of stream-of-consciousness fiction.