Özet:

Michel Foucault, who believes that power and essence relationships are formed by bio-power along with the transition to modern life, has developed the theory of heterotopy as a way to get rid of this structure that restricts the individual. Bio-power defines the normal person the power wants as a sincere command. The modern urban life offers an appropriate way of life to the individual in the business life, while the individuals who violate these rules try to create new spaces for themselves, wanting to get away from society. In this context, Foucault wants to highlight the idea of creating new spaces, the heterotopy, while in the twentieth century the concerns of individuals are based on the idea of space. Based on Foucault's heterotopy and Stavrides' horizontal theory, this study explores the heterotopy fields as representative of the other space in François Ozon's L'Amant Double film. The heterotopic fields notably used in the L'Amant Double film have been influential in the selection as a sample of the study. Psychiatric clinics, time heterotopies, museums, mirror heterotopies, and horizontal spaces, as bridges and stairs, are the categories that are considered in the film. This study aims to show the forms of the heterotopy evolved in the cinema while looking at the heterotopy fields as representative of the other space in the film L'Amant Double.

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