Abstract:

It is very important to identify regional factors in understanding the art environment of the Anadolu Selçuklu Period. It is necessary to take into account the social and thought structure of the area in the formation of the structures' type of plan. In general, in the northeastern Anatolian region; Kemah-Divriqi-Ancient Arabkir-Cemişkezek-Harput and Mazgirt, the structures found in the region are primarily typological, distinctive characteristics, similarities/differences, and are very important in terms of the understanding of the regional art environment. The cultural influences of Anatolia and Pre-Selçuklu are seen to be addressed within the art understanding of the Anadolu Selçuklu era. It is important that the works in the occupied area show different types of plans for the subject to be addressed. In the formation of the thought and culture of the Anadolu Selçuklu Period, the northeastern Anadolu Region draws attention with its artistic practices. Central Asian Turkish Art is an indicator of the indigenous Christian art of the Selçuklu Pre-Anadolu and the cultural and social structure and way of thinking of the Southeast Anadolu Region, the structures are reflected in the type of plan and architectural characteristics. The wealth of different cultural values in the region is highlighted. This is important for the continuity of Turkmen traditions. The evidence of the mummy tradition in the cumbers is that the examples of mummy tradition are in Kemah and Harput. In addition, as in the example of the Divriqi Sitte Melik Kumbeti before and on the Anadolu Selçuklu Period, the cultural influences of indigenous Christian art in Anadolu are the other side of the subject. It is clear that the mosque in the ancient Arabkir differs in the orient and west direction of its arrangement. While participating in the idea that the western wing carries the wing character, we encounter an example of a structure that is different in its functional direction along with the Cami+ wing/hanikah structure. Onar Village tomb stones show the continuity of Turkmen traditions in the region. However, the Chemiskezek reflect an important example of the Yelmaniye Mosque/Medrese/Zaviye union. Elazığ Harput Ulu Mosque is one of the different examples in the area in terms of the plan characteristics. The Tunceli Mazgirt Elti Mosque is in a different and problematic situation in the direction of the plan, as well as the absence of the cemetery layer reflects the Divriqi attachments.

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