Abstract:

According to the information we obtain through the sources, the actual name of Azmîzâde Hâletî, who was born in 1570, is Mustafa. After a good medrese education, Azmîzâde Hâletî is one of the important artists of the 17th-century classical Turkish poetry, who is in tasks such as maderism, femininity and caskerism. The poet, introduced as a person who loves to read in biographical sources, a researcher, charitable, scientist and cultural enthusiastic, has come to the forefront with his ruby as well as his gazels written in a loving, rhinese and dominant style. The poetry of the Qur’an is the other, and the poetry of the Qur’an is the other. In some of his poems, he used this concept and in various contexts he used this concept. The word “malaim” which comes from the meaning of the dictionary, is derived from the Arabic word levm. The people who have been called for the punishment and forgiveness, and who have been called for the punishment and forgiveness, and who have been called for the punishment. Through this work, we have been discussed the reflections of the melamites that we can express as a type that performs the love role in the classical Turkish poetry in the Azmîzâde Hâletî Dîvânı. In this way, the life of Azmîzâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâdâd In this case, the 17th edition of this work. Reflections to the classical Turkish poetry of the century and the position of the loving type in the poet's cave, in the context of melamhetism, have been attempted to explain.

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