Özet:

In the Ottoman Empire, the reflections of the innovation movements in the 19th century in the music field, in a sense, have been an important factor in the increase of Nazarian works. With the end of the 19th century and the beginning of the 20th century, there was a significant increase in the number of systematic works, such as books, risales and articles, which included information about the theoretical dimension of music. These works, which form the foundations of Turkish music but were published with the Ottoman Turkish before the literary incrust, many of them are not included in the music literature, are important sources in terms of the access to historical information about both the authors and the works presented in the period. Muallim Kazim Uz, who lived and lived between 1873 and 1943, is one of the important music educators of our country, who has been dedicated to both Turkish music and Western music. In this study, the "Musiki - Song and Garp Music's Diez and Bemolleri" which was considered one of Muallim Kazim Uz's first works and published in 14 Zilkade 311 (19 May 1894) was translated and studied into today's Turkish. The subjects included in the review were identified as the definition of music, notes, curtains, nim curtains, the use of diamonds, the authority, major and minor concepts, gam, of course gam, procedural tracking and sound intervals. The main main main music theory subjects were addressed with comparative information in the Turkish and Western music axis and the discourse was shown to be a helpful source for use in music education.

Anahtar Kelimeler: