Özet:

The canvas, which every young girl who can hold a little injection in the hand, immediately begins to learn, and the four-storey canvas are among the iron processes, as yesterday, as today, are one of our processes that are transmitted from generation to generation and which are important in terms of cultural history. Today’s artists, aiming to transform this traditional technique that connects cultures and generations into a modern graphics, exhaust or rebuild meaning, have managed to transform it into a visual celebration in their talented hands, using various processing techniques, such as canvas that carry the traces of the past. In recent years, interdisciplinary experiences have been found in different disciplines both cultural, geographical and identity. These experiences also contribute to research in the field of art. Artists also sometimes, when they migrate, try to find their own place among traditional and modern perceptions with their identities and memories in the new environment. In this study, the traditional cannabis technique that connects cultures and generations, the enstellation practices used in some works by the rebuilders, and the importance of cannabis in interdisciplinary relationships have been highlighted. This study is to remove the canvas from being a structure quietly performed in art; the social, psychological, economic, geographical, cultural changes and developments. Save the Cannabis from pressing into its own inner dynamics, describing the contribution of the existing local and cultural elements to the art by using the Cannabis in universal designs, the works of the artists in different disciplines are interpreted by making a literary scan of the Cannabis-applicated works.

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