Özet:

The general audience profile of our time has been used to speed. In other words, the speed, which is the fundamental characteristic of modern culture, has suppressed the viewers – which can also be called “screen consumers” –’s likes, approvals, and follow-ups. When the “right” and the “fast” are left, the preferred is the second. In an age in which life is screened and the thoughts are developed again through the screens, it can be understood even if it is unreasonable that quantity (speed) will replace the quality (precision). Nowadays, it is almost impossible to get away from the media messages from the corners of inziva and tranquility. People are impressed by looking at the screens as a media consumer and producer and develop ideas here. Per that’s why the lack of access to information and communication for the man of the age is the main problem, rather than their uncontrolled rise (Demir and Özcan, 2021). The observer-man of the age is constantly active at every moment in the face of the uninterrupted data flow through the mobile devices he carries with him. Initially defined and marketed as a kind of communication revolution and freedom of participation, this trend is now subject to numerous legal and moral violations and criticism of media participation. This situation becomes clear and complicated, especially in disasters. The University of Silverhane School of Communications from the Department of Radio Television and Cinema. It is the analysis/evaluation written by Dr. Sertaç Timur Iron.

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