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Toplumlar tarih boyunca, değerlerini, bilgi ve birikimlerini anlatılarıyla kaydedip bir sonraki nesle aktarmışlardır. Bu aktarım, iletişim ortamlarına göre şekillenmiştir. Gelişen teknolojiyle birlikte yeni iletişim ortamlarının ortaya çıkması, anlatıların aktarım olanaklarını her geçen gün genişletmiştir. Anlatıların temelinde sözlü, yazılı, sabit veya hareketli bir görüntüyle çeşitli şekillerde var olan düzenli ifade biçimleri vardır. Romanlardan sinemaya çok sayıda film uyarlanmıştır. Uyarlama kavramı yazılı dilini, görsel ve işitsel dile çevirme sürecidir. Sinemanın ortaya çıkışından itibaren sürekli karşılaştırılan edebiyat ve sinema sanatı, birbiriyle etkileşim halinde olmuşlardır. Sinema, romandan hikaye ve anlatım teknikleri açısından yararlanırken, roman da sinemanın betimleme ve birleştirme tekniklerinden faydalanmıştır. Roman ve sinema, farklı iki iletişim ortamı olarak, anlatılarını kendine özgü araçlarla oluşturmaktadır. Romanda araç yazı dili iken, sinemada gösterimdir. Buna göre romanda, hikayede olanın anlatılması, sinemada ise hikayedeki oluşun sunulması söz konusudur. Bu çalışmada; Robert Bloch’un "Sapık" romanında yer alan duştaki cinayet bölümü ve bu romandan uyarlanan Alfred Hitchcock’un "Sapık" filmindeki duştaki cinayet sahnesi, karşılaştırmalı olarak incelenmiştir.
The societies throughout history have recorded their values, knowledge and accumulations with their stories and transmitted them to the next generation. This transmission is formed according to the communication environments. With the emerging technology, the emergence of new communication environments has expanded the possibilities of transmitting stories every day. Based on stories, there are regular forms of expression that exist in various forms with a verbal, written, fixed or moving image. A lot of films have been adapted from the novel to the cinema. The concept of adaptation is the process of translating the written language, visual and hearing language. Since the appearance of the film, literature and film art have been constantly compared with each other. While the film is used from the novel in terms of the story and narrative techniques, the novel has also been used from the film's imaging and combination techniques. The novel and the cinema, as two different communication environments, make their stories with their own unique tools. The novel is the language of writing, while the movie is the show. In the novel, it is about telling what is in the story, and in the cinema, it is about presenting the form in the story. In this study, the murder episode in the shower in Robert Bloch's novel "The Dwarf" and the murder scene in the shower in Alfred Hitchcock's film "The Dwarf", adapted to this novel, were compared.
Societies have always recorded their values, knowledge and experience with their narratives and transferred them to the next generation. This transfer is shaped in accordance with the communication media. The emergence of new communication environments with the developing technology has expanded the transmission possibilities of narratives day by day. At the heart of the narratives are the forms of regular expression that exist in various forms with an oral, written, fixed or moving image. Many films have been adapted from novels to movies. The concept of adaptation is the process of translating written language into visual and auditory language. Literature and the art of cinema, which have been constantly compared since the emergence of cinema, have been in interaction with each other. While the cinema benefited from the novel in terms of story and narration techniques, the novel also benefited from the description and combining techniques of the cinema. Novel and cinema, as two different communication mediums, create their narratives with their own unique tools. While the medium is the written language in the novel, it is the display in the cinema. Accordingly, in the novel, it is the narration of what happens in the story, and in the cinema, it is the presentation of the happening in the story. In this study; The murder in the shower in Robert Bloch's novel "Psycho" and the murder scene in the shower in Alfred Hitchcock's "Psycho" movie adapted from this novel are analyzed comparatively.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Dergi Türü : Uluslararası
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