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Sözlü kültür ürünü olan masalların kuşaktan kuşağa aktarılmasında yeniden üretim biçimleri önemlidir. Yeniden üretim sırasında masallarda yapısal, ideolojik değişikliklerin yaşanması kaçınılmazdır. Bu değişikliklerin bariz şekilde hissedildiği masal örneklerinden biri de Pamuk Prenses ve Yedi Cüceler’dir. Çalışmanın konusunu, Pamuk Prenses ve Yedi Cüceler masalının yeniden üretim biçimi oluşturmaktadır. Pamuk Prenses ve Yedi Cüceler masalının yeniden üretiminde, ne tür değişiklerin yapıldığı ve bunların hangi ideolojik, ekonomik ve kültürel kaygılarla yapıldığını ortaya koymak çalışmanın sorunsalıdır. Bu sorunsal ışığında, ilk önce masalın, 1812 yılında Alman Grimm Kardeşler tarafından yazılı eser haline getirilmesine değinilmiş, ikinci olarak 1937’de Disney’in, Grimmler’in masalının çizgi film uyarlaması ve son olarak da Disney’in çizgi filminden 1970’de Ertem Göreç’in uyarlaması ele alınmıştır. Sonuçta ise, Pamuk Prenses ve Yedi Cüceler masalının sözlü anlatıdan yazılı anlatıya, animasyon anlatısına ve sinema film anlatısına her üretildiğinde, ideolojik kaygılarla yapısal değişiklikler yaşamış olduğunu söylemek mümkündür.
Reproduction forms are important in the transfer of tales from generation to generation, which are products of oral culture. Structural, ideological changes are inevitable in fairy tales during reproduction. One of the examples of fairy tales where these changes are clearly felt is Snow White and the Seven Dwarfs. The subject of the study is the reproduction of Snow White and the Seven Dwarfs. The purpose of the study is to reveal what kinds of changes were made in the reproduction of the Snow White and the Seven Dwarfs and what ideological, economic and cultural concerns they were made. In light of this problematic, three forms of this claim are examined. In the study, firstly, the fairy tale written by German Grimm Brother in 182, secondly the Disney's animation adaptation of Grimm's fairy tale in 1937, and finally the adaptation of Ertem Perez from Disney's cartoon in 1970 were discussed. In conclusion, it is possible to say that the story of Snow White and the Seven Dwarves has been subjected to structural changes with ideological concerns every time it is produced from oral narrative to written narration, animation narration and cinema film narrative.
Reproduction forms are important in the transfer of tales from generation to generation, which are products of oral culture. Structural, ideological changes are inevitable in fairy tales during reproduction. One of the examples of fairy tales where these changes are clearly felt is Snow White and the Seven Dwarfs. The subject of the study is the reproduction of Snow White and the Seven Dwarfs. The purpose of the study is to reveal what kinds of changes were made in the reproduction of the Snow White and the Seven Dwarfs and what ideological, economic and cultural concerns they were made. In light of this problematic, three forms of this tale are examined. In the study, firstly, the fairy tale written by German Grimm Brother in 182, secondly the Disney’s animation adaptation of Grimm’s fairy tale in 1937, and finally the adaptation of Ertem Göreç from Disney’s cartoon in 1970 were discussed. In conclusion, it is possible to say that the story of Snow White and the Seven Dwarves has been subjected to structural changes with ideological concerns every time it is produced from oral narrative to written narration, animation narration and cinema film narrative.
Field : Sosyal, Beşeri ve İdari Bilimler
Journal Type : Ulusal
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