Özet:

The electro-acoustic music that emerged in classical Western music after the 1950s is a kind of preferred by today's Turkish composers. In this type of music, as well as acoustic instruments, pre-recorded sounds are used. These recorded sounds are also used as recorded or modified in different forms. This kind of work was composed by Turkish composers Bülent Arel and Ilhan Mimaroğlu can be shown as the leading. Then the works of Aydin Esen, Mehmet Aktuğ, Meliha Doğuduyal, Tolga Tüzün, Mete Sakpınar, Mesruh War and Berkant Gençkal can be given as an example. The aim of this research is to increase the international recognition of Turkish composers and Turkish Flüt literature by providing detailed information about the work of Mesruh Savaş’s Immaculate Reflections from the Turkish flüt repertoire that has reached the world standards. Research has used sources scanning, interviews with composers and works analysis methods. In 2009, composed for flut, piano and electronic sounds, the Unformed Reflections work was composed for flutcher Sibel Ayhan and pianist Aylin Çakıcı Uzar. The work arose with the composer's desire to use new flut sounds and advanced flut techniques that are not frequently used. The work was later added electronics for aesthetic reasons and a bit of the composer's new sounds, the curiosity about the colors.