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Dünya edebiyatında hayvan hikâyeleri ile insanların hayatlarına dair esasların anlatılması M. Ö. VI. yüzyıla dayandırılır. Bu hayvan hikâyeleri ile siyaset, ahlak, tasavvuf gibi insanı ilgilendiren temel konulara temas edilmiştir. Hakîkatlerin hayvanlar üzerinden anlatım tarzı pek çok medeniyette yaygınlık kazanmış bir husustur. Müslüman dünyasında Mevlânâ, Mesnevî’sinde kullandığı hayvan karakterleri ile dikkat çekmiştir. Mevlânâ, Mesnevî’sinde kullandığı hayvan hikâyeleri ile somut konulardan hareketle soyut konuların anlaşılmasını sağlamıştır. Biz bu çalışmamızda Mevlânâ’nın Mesnevî’sinde köpeğe yüklediği metaforik anlamları ele aldık. Tasavvuf kültüründe genellikle “nefsine uyarak dünyalık peşinde koşan, hakîkatten habersiz câhil kişi” şeklinde değerlendirilen köpek, Mesnevî’de “bâtıl inanç, zâlim, kötülük, dünyaya düşkünlük, ruh-beden farklılığı, şeytan, nefs, nefse uymak, arzu ve istekler, câhillik, câhillerden yüz çevirmek, kâfir, münâfıklık, iki yüzlülük, hayâsızlık, tevekkülsüzlük, sahte mürşidler, gazaplanmak, aşktan yoksunluk” gibi olumsuz; “Allah’a itaat, Mevlâ’yı aramak, sırra mazhar olmak, vefâ, aşk, Hak âşığı, Allah dostu, düşünmek, akletmek” gibi olumlu metaforik anlamlarda kullanmıştır. Bu çalışmada hedeflenen Mevlânâ’nın insana dair hakîkatleri anlatırken köpek karakteri üzerinden kullandığı incelikli dilin beyanıdır.
In the world literature, the story of the animals and the basics of the lives of humans. It is set to century. These animal stories have been addressed with the basic issues of politics, ethics, tasavvuf, and human interests. The story of the truth about the animals is a story that has become widespread in many civilizations. In the Muslim world, Mevlânâ attracted attention to the animal characteristics he used in Mesnevî. He has made it possible to understand the animals that he used in his story and the subjects of the subjects of the subjects. In this study we discussed the metaphoric meanings that Mevlânâ carried on the dog in Mesnevî. In the culture of Tasavvuf, the dog is often regarded as "the one who runs after the world according to himself, unknown of truth" in Mesnevî, "the one who runs after the world, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the one who runs, the In this study, the aim of Mevlânâ is the explanation of the subtle language he uses through the character of the dog while telling the truth about man.
Depicting the principles of human lives through animal stories in the world literature dates back to VI. century B.C. With these animal stories, basic issues related to human beings such as politics, morality and Sufism were lectured. The way the truth is narrated through animals is a consideration that has gained popularity in many civilizations. In the Muslim world, Mevlana drew attention to these issues with the animal characters he used in his Masnawî. Mevlana provided the understanding of abstract subjects based on concrete subjects with animal stories he used in his Masnawî. In this study, we discussed the metaphorical meanings attributed to the dog in Mevlana's Masnawî. In Sufism, while the dog is generally regarded as "ignorant person who pursues world goods and unawares of truth", it was used in negative metaphorical meanings such as "superstitious belief, cruel, evil, devotion to the world, soul-body difference, devil, self, to yield to flesh, desires and wishes, ignorance, to turn away from the ignorant, disbelieving hypocrisy, hypocrisy, shamelessness, thanklessness, false guides, getting angry, deprivation of love”; and positive metaphorical meanings such as “obedience to the God, seeking the God, to reach a good state, loyalty, love, love of God, friend of God, thinking, reasoning" in Masnawî. This study aims to contribute to the understanding of the nuanced language Mevlana uses through the character of the dog while explaining the truths about human beings.
Alan : Eğitim Bilimleri; Güzel Sanatlar; İlahiyat; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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