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Cumhuriyet dönemi yazarlarından Ayhan Bozfırat (1932-1981), öykülerini İstasyon (1971), Fırıldak (1972) ve Sokak Lambaları ( 1980) adlı kitaplarda toplamıştır. Hayata toplumcu bir duyarlılıkla bakan yazar, eserlerinde sıradan insanın gündelik hayatını konu edinir. Ayhan Bozfırat, toplumsal meseleleri birey üzerinden anlattığı öykülerinde olay yerine durumu esas alındığı için onun öykülerinde kurmaca kişileri karşı karşıya getiren açık çatışmalar görülmez. Çoğunlukla yoksul sınıfın insanını temsil eden öykü kişileri, yaşadıkları sıkıntıları bunalmış, bezgin, yorgun, amaçsız ve edilgin duruşlarıyla ortaya koyarlar. Hayatla uyum sağlayamayan bu kişilerin varoluş biçimleri, öykülerin karakteristik tarafını oluşturur. Modern kısa öykü olarak tanımlanabilecek olan öyküler, kurgu ve içerik bağlamında değerlendirildiğinde yazarın farklı kaynaklardan beslendiğine işaret eden bir yapının olduğu görülür. Kurgusal bağlamda klasik bir yapısı bulunmayan öyküler, hem teatral özellikler taşır hem de Absürt Tiyatro oyunlarına benzer. Bu çalışmada Bozfırat’ın öykülerinde görülen teatral özellikler ile öykülerin Absürt Tiyatro oyunlarına benzeyen tarafları, yapı ve içerik unsurlarından hareketle incelenmeye çalışılmıştır.
From Republican writers Ayhan Bozfırat (1932-1981), his stories were collected in books called Station (1971), Fırıldak (1972) and Street Lights (1980). A writer who looks to life with a social sensitivity, discusses the daily life of the ordinary person in his works. Ayhan Bozfırat, in his stories he talks about social issues through the individual, is based on the situation instead of the event, in his stories he does not see open conflicts that faces the creation of people. Mostly, the story people, who represent the people of the poor class, reveal the difficulties that they experience with their depressed, unpleasant, tired, unintended, and worthless attitudes. The forms of existence of these people who are unable to adapt to life form the characteristic side of stories. The stories that can be defined as a modern short story, when evaluated in the context of fiction and content, it appears that there is a structure that indicates that the author is fed from different sources. Stories that do not have a classic structure in the curious context, both carry theatrical characteristics and are similar to the Absurd Theatre games. In this study, the theatrical characteristics seen in the stories of Bozfırat and the aspects of the stories similar to the Absurt Theatre games, the structure and content elements were tried to be studied by movement.
Ayhan Bozfırat (1932-1981), who wrote her works in the 1970s, collects her stories in the books called İstasyon/ Station (1971), Fırıldak/ Windmill (1972) and Sokak Lambaları/ Street Lamps (1980). The author, who looks at life with a socialist sensitivity, deals with the daily life of ordinary life of ordinary people in her stories. Since Ayhan Bozfırat's stories, in which she tells social issues through the individual, are based on the situation rather than the scene, open conflicts that bring fictional people against each other are not seen in her stories. The story characters, who mostly represent the people of the poor class, reveal their troubles with their overwhelmed, weary, tired, aimless and passive stances. The existence of these people, who cannot adapt to life, forms the characteristic side of the stories. When these stories, which can be defined as modern short stories, are evaluated in the context of fiction and content, it is seen that there is a structure that indicates that the author is fed from different sources. Stories that do not have a classical fiction have both theatrical features in the structural context and are similar to Absurd Theater plays. In this study, the theatrical features seen in Bozfırat's stories and the aspects of the stories that resemble the Absurd Theater plays were tried to be examined in terms of structure and content.
Alan : Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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