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Tarih, tarihçinin, geçmişteki olaylardan seçme yaparak ve olayları yorumlayarak oluşturduğu bilgidir. Roman ise tarihî olayları ve kişileri malzeme olarak kullanan kurmacadır. Tarih, yazarının yorumuyla ve anlatma yöntemiyle kurmacaya yaklaşır. Romancı, tarihçiden daha bağımsız hareket eder. Olay ve kişileri hayal gücüyle somutlaştırır, yorumlar, zenginleştirir. Ancak bunu yaparken tarihsel gerçeklerle çelişmemelidir. Şeyh Bedreddin, birçok kurmaca metne konu olmuş tarihî kişilerden biridir. Ona, tarihî kaynaklarda da kurmaca metinlerde de ideolojik bakış egemendir. İncelememize konu olan Azap Ortakları romanında da Marksist ideoloji öne çıkmıştır. Bu makalede Şeyh Bedreddin isyanının Azap Ortakları romanında, tarihî kaynaklar ve yazarın Marksist bakışı doğrultusunda kurmaca gerçekliğe dönüştürülmesi üzerinde durulmuştur. Roman kahramanı Bedreddin’in yaşamı, düşünce ve eylemi, tarihî kaynaklarda anlatılanlarla karşılaştırılmıştır. Romanın olanaklarıyla tarihin yeniden kurgulanması, tarihî bilginin kurmacayla iç içe geçişi, ideolojik bakışın tarih ve kurmaca üzerindeki etkisi incelenmiştir. Toplumcu gerçekçi eserlerdeki tipiklik ilkesinin, Azap Ortakları romanında, Şeyh Bedreddin isyanı üzerinden nasıl kurgulandığı irdelenmiştir. Ayrıca dilin toplumcu gerçekçi eserlerde propaganda aracına dönüşmesi üzerinde durulmuştur.
The novel is used as a subject of historical events and persons. In Erol Toy’s novel, The Punishment Partners, the life and thoughts of Sheikh Bedreddin, the rebellion they began with Börklüce and Torlak. The author has established a historical reality in the framework of Marxist ideology. He is the leader, the leader, and he is the leader. A classless, unusual, utopian order, called the Earth Paradise, is attempted to be established. Partners are the first example of this order. The ruling class, which does not want to lose its privileges, bloodyly oppresses the rebellion of Bedreddin and his disciples. In social realistic works, the writer paints a positive type and through this hero fiction the social structure of the future. Bedreddin, in the novel, is a revolutionary who represents the thinking direction of the rebellion. In this article, Sheikh Bedreddin's rebellion is focused on the historical sources and the writer's transformation of the rebellion into the realism according to the Marxist perspective.
History is a set of information compiled by historians selecting and interpreting certain events and peoples from the past. On the other hand, novel is a work of fiction which uses historical events and figures. History approaches fiction as historians interprete and describe events from their point of view; however, novelists can act more independently than historians. They concretize and enrich events and figures interpreting them in their imagination; however, they must not contradict historical facts while doing this. Sheikh Bedreddin is a historical figure who has been the subject of many fictional texts. He is described from an ideological viewpoint most of the time both in historical and fictional texts and In the novel Azap Ortakları, which is the subject of our study, Marxist ideology comes to the fore. This article deals with how the Revolt of Sheikh Bedreddin is turned into fictional reality in the novel Azap Ortakları in accordance with historical sources and the author’s viewpoint. The thoughts, deeds and life of the protagonist, Sheikh Bedreddin, are narrated and compared to the historical sources. In the study, the reconstruction of history using fiction’s means, mingling of historical facts with fiction and the effect of ideological perspective on history and fiction are decribed. Also, the study deals with how the principle of typicality seen in socialist realist novels is fictionalized in the novel Azap Ortakları through the Revolt of Sheikh Bedreddin. In addition, how the language is transformed into a propaganda tool in socialist realist works is discussed in the article
Field : Filoloji
Journal Type : Uluslararası
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