Abstract:

In the Arab society, which has an ancient history in the field of poetry and rhetoric, many works have been written by both the literary and the critics in order to prove that the individuals who are known as poets have changed the poems belonging to another person by going to a partial change. On the other hand, it is seen that some literary critics prefer to be cautious about this subject and sometimes they try to respond to the claims put forward on the plagiarism. In the perspective of these approaches, the scope of the concept of as-serikatu-sh'riya(poetical plagiarism) has been subject to systematic review from the middle of the third century(AH). In this article, in addition to the different nomenclatures put forward by some writers, critics and critics, considering the nature of poetry theft, opposing views and exaggerated explanations about the theft of poetry have been examined and it has been tried to provide a comparison opportunity for those who want to do research in the related field. In the article, related sources which can be reached in the perspective of qualitative research method have been reviewed and attention was paid to keep the subject limited to the classical period.

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