Abstract:

Latife Tekin's (1957) novel, Dear Untold Death (1983) captures a significant success in terms of technical, magnificent, typing and styling. The novelty of the novel, from the magnificent point of view, is the imagination of the real and extraordinary (the speech of the birds, the wind, the doubt, the thumbnail; the appearance of the fairy Sarkis, the Fast, the Azrail). In our article, the dominant female character of the novel will focus on Atiye and some of her practices. Thematically examining the character of the Atiye, the mutual attitudes for the happiness of the family members, the oral culture, the tradition, the Islamic practice, the young woman’s distinctive characteristics have been identified. Huvat Aktaş, who is connected to the city; some innovations are brought to the village, one day comes to the village with a woman named Atiye. One foot – due to the father and the two elders of the family – the family in the city (a coast of the sea) is forced to take a decision of immigration to the city. The novel begins in the village and continues in the city. In the novel that hosts the survival struggle of the nine-person family, Mother Atiye gives first to the village, then to the city, an adaptation struggle. Mother Atiye works some rituals of religion, traditions, people's tabbat, and worthless religions in order to keep the family together; to keep the peasants in the city's mouth to speak about their family, in order to keep the family together. Attiye refugees in ways compatible with its cultural codes and the environment it grows. It is often referred to some facts from Islam, such as sleeping in dreams, praying in prayer, praying in prayer, from the oral culture, from the health-people tababeti, from the tradition, from the love-people tababeti.

Keywords: