Abstract:

The dialectic image is an important fictional structure that determines and shapes the specific aesthetic nature and narrative characteristics of literary text. An author's consciousness as a producer provides a fictional mediation between image and reality. With this fictional mediation, the forms of reality are transformed by the author through images. The transformation process manifests itself in the fictional structure. Dialectic images that determine the narrative characteristics and unique specificity of literary text are highlighted with this transformation process. Dialectic images are not structures exempt from ideology and the author's intention in literary text. In this sense, they have the feature of being a fictional tool that determines the various orientations and central points of literary texts. Adalet Ağaoğlu is a prominent writer in modern Turkish literature that transforms and configures social reality and ideological contents in aesthetic sense. The stories of Agaoğlu are significant literary genres which produce aesthetics and ideology's mutual relations in a textual structure. Dialectic images in the stories emerge as both aesthetic and ideological messages. They form a structural integrity with the specific fictional relationships of the stories. In this way, we form an imaginary integrity between aesthetics and ideology within a textual structure. She creates a distinctive sense of literary perception. In this article, the stories of the Father will be examined within the context of dialectic image considering their aesthetic and ideological structures.

Keywords:

Abstract:

The dialectic image is an important fictional structure that determines and shapes the specific aesthetic nature and narrative characteristics of literary text. An author's consciousness as a producer provides a fictional mediation between image and reality. With this fictional mediation, the forms of reality are transformed by the author through images. The transformation process manifests itself in the fictional structure. Dialectic images that determine the narrative characteristics and unique specificity of literary text are highlighted with this transformation process. Dialectic images are not structures exempt from ideology and the author's intention in literary text. In this sense, they have the feature of being a fictional tool that determines the various orientations and central points of literary texts. Adalet Ağaoğlu is a prominent writer in modern Turkish literature that transforms and configures social reality and ideological contents in aesthetic sense. The stories of Ağaoğlu are significant literary genres which produce aesthetics and ideology’s mutual relations in a textual structure. Dialectic images in Ağaoğlu's stories emerge as both aesthetic and ideological messages. They form a structural integrity with the specific fictional relationships of the stories. In this way, Ağaoğlu forms an imaginary integrity between aesthetics and ideology within a textual structure. She creates a distinctive sense of literary perception. In this article, the stories of Ağaoğlu will be examined within the context of dialectic image considering their aesthetic and ideological structures.