Özet:

The Chinese art, which has a rooted history, is often preferred in almost every region of Anadolu. In religious and civil architectural works, chinese decorations have been used as a cutting element. Different manufacturing techniques are seen in China, designed to mobilize and emphasize the various areas of the structures. These techniques have changed periodically and have continued to evolve. On the internal and external sides of the structures there are regional differences in terms of motivation, color and composition. It is unknown exactly when and where the Chinese mozaic technique that forms our location appears. Especially in the Anadolu Selçukes period, it was widely used, but in the Beylikes and Ottoman period structures it was not much preferred. This technique is often preferred in the Eastern era structures and is not much preferred in the Ottoman. The appearance, development of the Chinese mozaic technique, the reasons why it was not preferred in the Ottoman era as well as the latest examples of the Ottoman era will be discussed in our study. It will also be revealed that some of the samples included in the chini mosaic technique are made using the chini mosaic technique and the need for separate evaluation of these two techniques.

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