Özet:

Village theatre played for many years in our country and the peasant emerged as its own production, based on a long history of theatrical activities. The aim of these games today, although it is very detailed and mostly fun has a special history. These 1 Bu yazı, İstanbul Aydın Üniversitesi tarafından 28-29 Kasım 2013 tarihinde düzenlenen “1. Genç Bilim Adamları Sempozyumu”nda sözlü bildiri olarak sunulmuştur. * Doktora Öğrencisi, Hacettepe Üniversitesi / Sosyal Bilimler Enstitüsü / Türk Halkbilimi Bölümü, [email protected] are so many stereotypes of certain behaviors and movements within the region has been replaced in the games played by different names. In this way, taking the form of a motif itself. Only one of them die of the resurrection. Why keep his other buildings in the history of a motif. identity can be established for the purposes of this motif in ritual sacrifice by dying resurrection motif in the village theater.This article is also located in the province of Balikesir, “camel” from die a victim of this motif with the ceremony over the resurrection motif of repetition or representation whether or not will be discussed. In this regard, information regarding the game’s gameplay is the motif of the resurrection will be and this motif appears in the places to die, in practice, the principal objective will focus on what this might be. In addition, for purposes here, sacrifice and sacrifice will be eligible to show parallelism between the purposes

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