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İslam’ın muhabbete ve aşka dayalı hikemî, ahlaki ve irfani tarafı olarak da tanımlanabilecek tasavvuf, Türk şiirinin birçok evresinde şairler tarafından işlenmiş bir temadır. Modern dönem şairleri arasında da ele alınan tasavvuf, çeşitli ıstılahlar dikkate alınarak Âşık Fezaî mahlasıyla da bilinen Feyzi Halıcı şiirinde de yer almıştır. Manzum ve mensur, kafiyeli ve serbest tarzda şiirleri olan Feyzi Halıcı herhangi bir tarikata intisabı olmasa da Hz. Mevlânâ ve Mevlevilikten etkilenip tasavvufu şiirinde işleyen çağdaş Türk şairlerindendir. Halıcı şiiri tasavvufi ıstılahlar dikkate alınarak ele alınmıştır. Feyzi Halıcı şiirinde özellikle Hz. Mevlânâ, Yunus Emre, Ahmed Yesevî ve Mevlevi postnişinlerinden Şeyh Galip, çalışmanın tasavvuf büyükleri adındaki alt başlığında verilmiştir. Ayrıca tasavvufta önemli ıstılahlardan olan mürşit ve mürit başlıklarında şeyhlik ve dervişlik ele alınmıştır. Zikir başlığında ise sema’nın şiirde nasıl geçtiği verilmeye çalışılmış, ney ve kudüm gibi Mevlevi zikrinin önemli müzik aletleri Mevlevi enstrümanlar maddesinde işlenmiştir. Tasavvuf için bir başka önemi olan tecelli kavramının yanında nefs ıstılahı da diğer başlıklar olarak verilmiştir. Tasavvufta sülukun nihayeti için dervişin hâli olan aşk ele alınmış, varlık-yokluk kavramlarının Halıcı şiirinde nasıl ele alındığı işlenmiştir.
Tasavvuf, which can also be defined as the wisdom, moral and irfan side of Islam based on dialogue and love, is a topic processed by poets in many stages of Turkish poetry. Thus, the poet, who has been discussed among the modern poems, has also appeared in the poem of Feyzi Halıcı, also known as Love Fezaî mahlas, taking into account various suffering. The poem and the poem, which are free of mind, and the poem, which are free of mind, and the poem, which are free of mind, and the poem, which are free of mind, and the poem. It is one of the contemporary Turkish poets who are influenced by Mevlânâ and Mevlevilik and work in tasavvufu poems. The poetry of the poem was taken into consideration. Specifically in the poem. In the words of the Prophet (peace and blessings of Allah be upon him) and of the Prophet (peace and blessings of Allah be upon him) and of the Prophet (peace and blessings of Allah be upon him) and of the Prophet (peace and blessings of Allah be upon him). In addition, he has also been discussed in the headlines of the Mursht and the Mursht, which are of significant suffering in Tasavuf. In the title of the memorial, it was tried to give how the sema passed in the poem, the important musical instruments of the Mevlevi memorial, like ney and kudum, were processed in the material of the Mevlevi instruments. In addition to this, it is also known that the other characteristics of the character are similar to the other characteristics of the character. In Tasavvufta the love for the end of the sule was addressed, how the concepts of existence-existence were addressed in the Halıcı poem.
Sufism, which can be defined as the historical, moral and wise side of Islam based on love and affection, is a theme treated by poets in many phases of Turkish poetry. Sufism, also treated among modern period poets, has been included in Feyzi Halıcı’s poetry, also known as Âşık Fezaî, by considering various terms. Feyzi Halıcı has poems in verse and prose, rhyme and free style and is not affiliated with any sect, but he is one of the contemporary Turkish poets influenced by Hz. Mevlana and Mevleviyeh and treated Sufism in his poetry. Halıcı’s poetry was studied by considering sufistic terms. In his poetry, especially Hz. Mevlânâ, Yunus Emre, Ahmed Yesevî and Şeyh Galip one of the sheiks of Mevlevi, were given under the subtitle of the study named as Sufism elders. Also, sheikhdom and dervishhood were discussed in murshid and disciples title, which are among the important terms in Sufism. In the title of dhikr, it was tried to explain how the sema was mentioned in poetry, and important musical instruments of the Mevlevi dhikr like ney and kudum were mentioned in the Mevlevi instruments item. Besides manifestation notion, especially important for Sufism, the nafs term was also treated as other titles. In Sufism, love, as the state of dervish for the end of the süluk (spiritual travelling) was discussed and how presence-absence notions are handled in Halıcı’s poetry was treated.
Alan : Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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