Abstract:

Name Special is among the poets who directed the Turkish poetry from the form and content point of view. With the values adopted by the Second New Poetry, the Turkish literature participates, after 1965, Ismet Özel departs from this column and socialist realistic poetry. The social realism, founded by Marxist aesthetics, has directed the poems of Special in an impressive and symbolic perspective until the 1970s. After the 1970s, the Special, Marxist, who is experiencing great conflicts in the world of values, leaves himself away from the worldview. He is looking for an absolute shelter to find answers to the questions that his mind is busy and to calm his own self. His search, which results in the Islamic testament, is the desire to provide the unrest of the spirit of the Matouf to the rebellion, struggle and rebellion, to feel confidence in himself and in life. Amentus contains the symbolic reflections of this desire. Specific, which questiones all the stages of life in the Amentus, reflects the devastation, alienation and devastation in the spirit of the time, both in the individual and in the structure of the corrupt society. In this study, we tried to explore the period in which Ismet Special was present in the context of modernity and the self that changed by taking reference to the Islamic speech, through symbols.

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Abstract:

One of the poets who guided the Turkish poetry of the Republican era in terms of form and content is İsmet Özel. İsmet Özel, who joined Turkish literature in 1961 with the principles adopted by her Second New Poetry, leaves this school after 1964 and turns towards socialist realistic poetry. Socialist realism, which is based on Marxist aesthetics, gives shape to the poems of Özel in the image world until 1970s. Having experienced great conflicts in the world of values after the 1970s, the poet moves away from the Marxist worldview. He seeks an absolute refuge to find answers to questions that keep his mind busy and soothe the delusions of his own self. The poet, who concluded her quest in Islamic contemplation, desires to restore the restlessness of the spirit of revolt, fight and rebellion, and to have confidence in herself and life. Amentü, contains symbolic reflections of this desire. Questioning all the stages of life in Amentü, the poet reflects the deterioration, alienation and decay of the spirit of the period both in his person and in the structure of the corrupt society. In this study, we tried to examine the period of İsmet Özel studied in the context of modernity and its changing self by taking Islamic discourse as a reference.