Abstract:

The past century has been a period in which, in addition to the "refakat" performance, which in the tradition of Turkish music is the characteristic of play, solistic performances that include mastery in play have begun to be seen. A reflection of this effect is also observed in the creations of members of the tradition. Mehmet Reşat Aysu represents a remarkable example of these reflections that lived in the 20th century. Example works selected from the compositions of Mehmet Reşat Aysu are often included in the advanced training courses of various playgrounds, since they often include technical difficulties. From this point to move, in this study, the hicaz sazsemaî, which was composed by Mehmet Reşat Aysu, due to the forms of the icrâ that requires the skill it contains, the technical characteristics of the cement play have been studied in the center. In this study, which was carried out in the framework of the document review, the work analysis was carried out in the focus of the chemical engineering techniques; finger placement, foam use techniques and the application of nuances were discussed. The purpose of this research is to reveal, by examining the technical behaviors mentioned in the application of the work of Mehmet Reşat Aysu on the shell. As a result of the analysis of the work, the positions to be used throughout the work, the foam techniques and the ways of application of the nuances have been specified. In addition, in the application of these techniques and the actors in the work, it has been determined to use the "left-re-la-mi" order, the acort order in which the voice of 440 frequencies is expressed.

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