Abstract:

The LUGAZ is the kind of knowledge that asks the object to the interlocutor by giving clues about the name of an object in the form of hiding it. Lügaz, born in Arabic literature and later passed to Persian and Turkish literature, is a species that has a specific narrative style. Usually in the lies that start with "what be", "what be" or "what be" or similarly formed entrance expressions, the object to be asked is described through the remz. The object searched for the answer is described by making different word games and creating more comparison interest. Some poets make various promises to their interlocutor in order to attract the interest of those who will solve the lie. The lies are divided into two kinds of lies, the lies and the lies, according to the form of transmission of the sign. This is the way the poets prefer to give the clue. Mostly manuscripts have been printed in the classical Turkish poem almost every century; they have been given under the title "elgaz" or "lugazat" at the end of the divans. The first examples of the legs found in the 15th century were very much overlooked when it came to the 18th century; in this century the most important representatives of the legs were Mustafa Fennî (dead. 1745 and it grows up. In addition, the divan poets mentioned the "luga" as a word; they used the word functionally in both vocabulary and term meaning. Specifically, when the word is understood or resolved from a difficult situation, it is placed in the word logic. In this study, the lügaz was explained by its general lines and determined who the poets who wrote the lügaz in the classical Turkish literature and focused on how the word lügaz was processed in the manuscripts.

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