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Vefa duygusu sevgi, saygı, dürüstlük, hoşgörü ve alçakgönüllülük gibi insanî değerlerin başında gelir ve bütün bu değerlerin anahtarı mesabesindedir. Bu duygu sanatkârlar elinde özellikle de şairlerce yüzyıllar boyunca genelde olumsuz yanıyla yani vefasızlık olarak ele alınmıştır. Klasik Türk şiirinde hemen hemen tüm şairler vefasızlıktan yakınmışlardır. Gerek sevgiliden gerekse felek ya da devrin kadirbilmezliğinden şikâyet babında, şairler vefa kavramını sıklıkla kullanmışlardır. Bu kavram çoğunlukla, âşık maşuk/sevgili ilişkisi bağlamında değerlendirilmiştir. Bu bağlamda ele alınan sevgili genelde vefasız âşık ise tam manasıyla vefa abidesidir. Vefa kavramına en çok yer veren şairlerden biri de Mahmud Nedim Paşa'dır. O, yüzyıllardır süregelen klasik Türk şiiri geleneğinde vefa kelimesini redif olarak kullanan nadir şairlerdendir. Onun divanında pek çok beyitte karşılaştığımız vefa kavramının iki gazelinde redif ve iki musammatında da nakarat olarak kullanılması şairin siyasi kimliği ve hayatı ile yaşadığı dönem hakkında önemli ipuçları elde edeceğimizi düşündürmektedir. Vefa kavramını birçok beytinde ve aynı zamanda redif ve nakarat olarak şiirlerinde kullanmış olması bu kavramı işlerken klasik Türk şiirinde neden bu şairi seçtiğimizin cevabını da vermektedir.
The sense of devotion comes at the forefront of human values such as love, respect, honesty, tolerance and humility, and the key to all these values is in the message. This feeling in the hands of artists, especially by poets, has been often treated over the centuries with the negative side, i.e. with the impeachment. In the classical Turkish poetry, almost all the poets are closely related to the unfathomity. In the father of the complaint of the necessity of the lover of the catastrophe or of the revolution, the poets have often used the concept of fa. This concept is often assessed in the context of the love/love relationship. In this context, the loved one is usually unfaithful; the loved one is in full sense unfaithful. One of the most popular poets is Mahmud Nedim Pasha. He is one of the rare poets who used the word vefa as a redirect in the tradition of classical Turkish poetry that has lasted for centuries. The use of the vefa concept we encounter in many of his divines in two gazels and in two musammates as nakarat suggests that we will get important clues about the period in which the poet lives with his political identity and life. We have used the concept of Vefa in many beits and also in their poems as a redirect and nakarat while processing this concept gives the answer why we chose this poet in the classical Turkish poetry.
The sense of loyalty is at the forefront of human values such as love, respect, honesty, tolerance and humility and might stand as a key to all these values. This feeling has been studied by various artists for centuries, especially by poets, with its negative side; disloyalty. In classical Turkish poetry, almost all poets in their works complained of disloyalty. Poets have frequently used the concept of loyalty either to make a complaint about beloved or about individuals’ not being appreciated during the era. This concept was mostly employed in the context of lover/belowed relationship. In this context, the beloved one is usually disloyal while the lover is a complete opposite. Mahmud Nedim Pasha is one of the poets who employs the notion of loyalty in a great deal. In fact, he is one of rare poets usig the word fidelity in a rhyme in the centuries-old tradition of classical Turkish poetry. The use of the concept of loyalty, which we encounter in many couplets in his diwan, as the word after the rhyme in two ghazals and chorus in two musammats, makes us think that we will gain important clues about the poet's unsteady period, political identity and life. The fact that he used the concept of loyalty in his poems as the word after the rhyme and chorus as well as in many couplets gives the answer to why we chose this poet in classical Turkish poetry.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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