Özet:

The theatrical game, written by Mehmet Asaf [Borsacı] and published in 1918, is composed of a curtain and five parliaments. In this comedy game, the current literary subjects of the time are discussed. These are the topics that stand out among them: the old, the old, the new, the poetry, the mutual and the national. Mehmet Asaf forms two opposite groups in the game to explain these topics. They read the poems they defended. This means that it is possible to compare the wheat with the wheat. In the words of the Holy Prophet Muhammad (peace and blessings of Allah be upon him), Muhammad (peace and blessings of Allah be upon him), Muhammad (peace and blessings of Allah be upon him), Muhammad (peace and blessings of Allah be upon him), Muhammad (peace and blessings of Allah be upon him), Muhammad (peace and blessings of Allah be upon him), Muhammad (peace and blessings of Allah be upon him) and Muhammad (peace and blessings of Allah be upon him). In fact, in the progressive parts of the game, he questiones the limits of national literature and asks whether the literary works written for centuries are not accepted by the nation. This game, built on literary discussions by Mehmet Asaf, works in a family environment of mother, father, son, servants and a guest. He uses a living room as a place. The heroes in the game speak in the daily language of the time. But the examples in the discussions also include Arabic, Persian words and complements. There is no specific time in the game. But the action of the action is the action of the action. It can be said that the game took place in a period of time between the post-legitimity and 1918, the date of printing. Finally, the purpose of this article on the theatrical work named Beyimin Edebiah Curiosity is to bring the work to the current literature by translating it into today’s alphabet and to draw attention to the literary personality of Mehmet Asaf, more known for his journalism.

Anahtar Kelimeler:

Özet:

Written by Mehmet Asaf [Borsacı] and published in 1918, theatre of Beyimin Edebiyata Merakı consists of one stage and five chambers. In this play, written in the genre of comedy, the current literary style of the period is discussed. Among these topics, the highlights are syllabic/aruz, old/new, poetry language, content and national/non-national discussions. Mehmet Asaf forms two opposing groups to explain these issues. He makes these groups say poems to the extent they defend. Thus, it creates an environment for comparing syllabic and aruz poet. meters. He mentions the leading writers of the period such as Muallim Naci, Mehmet Celal, Cenap Şahabettin, Süleyman Nazif, Recaizade Mahmut Ekrem and mentions the subject of old-new in poetry. As a matter of fact, he questions the boundaries of national literature and asks whether the literary works written for centuries will be accepted as national. Mehmet Asaf uses this text in a family environment consisting of mother, father, son, servants and a guest. The scene used in the text is a mansion room. He makes the heroes speak the living, everyday language of the era. However, Arabic, Persian words and phrases are included in the examples in the discussions. He does not specify an exact time in the theater. However, looking at the content of the work, it can be said that the events took place between the Constitutional Monarchy and 1918. The aim of this article, which is based on theatrical work named Beyimin Edebiyata Merakı, is to bring the work into contemporary literature by transferring it to the present alphabet and to draw attention to the literary personality of Mehmet Asaf, who is mostly known for his journalism.