Özet:

Murad-Nâme Bedr-i Dilşâd in 830/1427 made up of a fifty-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five-five. The mushroom style dedicated to Murad is an encyclopedic work. And if it is known as a translation of the Qur’an, it is indeed the glory of the Qur’an. If we are going to evaluate from the point of view that Bedr-i Dilşâd’s work is made in the pencil, it is necessary to say that he has a high aesthetic feeling, his poetry is quite beautiful, he has a attitude of knowing how to use the language. When we look at the work of Bedr-i Dilşâd, religious sciences, poetry, medicine, astrology, astronomy and music are closely related to the scientific and art branches of the period. Many sections have been written by expanding and some sections have been added. It is one of the scripts that is written. It is a reminder for those who know more about the Qur’an than the Qur’an. In particular, in the part of the authorities, one of the most important Turkish works of the fifteenth century was tried to explain that the work of Bedr-i Dilşâd was a Fihrist work by giving examples from the Risâle-i Mûsikî of Kırşehirli Yusuf Ibn Nizameddin, which was one of the most important Turkish works of the tenth century. As a result, this work was permanently painted in the ear in the form of Bedri Dilşâdın Nazım XV. It is one of the most important books of the century. Due to the scale of the article, limited review will be the source of research to be done later.

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