Abstract:

In our classical literature, many poets have written a letter about the Lawful Sultan Suleyman. But in our literature there was a special place in the texts written by Fuzulî. There is also a place in which the Suleiman (Suleiman) is the first to be called the Suleiman (Suleiman), the first to be called the Suleiman (Suleiman). But here the poet’s name is Leylâ vü Mecnûn, who praises the Kanûnî Sultan Süleymân, “This is a tarîk with the kesr-i nefsis and the headline of Mukaddime-i medh-i Padişâh’i ‘asrdur’ has been studied especially the form characteristics of the methyen and the messy narrative based on comparison. Except for the four bits of the castle, the art of comparison was identified. In the form of similarities, the laws, the laws, the laws, the many things that have occurred, have taken into account the laws that include legal matters. There are also comparisons related to the Shah, the Padişah, the Sultan, the Palace, the Building, the Heaven, the Sea and the World.

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