Özet:

At the beginning of the criticisms directed to classical poetry, the tongue was heavy, the Arabic and the Persian left, and the intensity of words. Especially 15. These structures, which began in the century and were taken from the languages that were named to the poetic language, began to be seen much more over time. In the century, he has reached the stage. The 15th period in which Avni lived, the influence of Arabic and Persian began to be newly felt. It corresponds to the century. Therefore, in the poems of Avni, Arabic-Farsic is heavy and the existence of grammatical elements is not concerned. Per there may be a number of abandoned Arabic-Persian, but despite all this, the Turkish speech logic in the poetic language always comes to us as a solid structure. In this framework, the work of the Turkish, Arabic and Persian completions in the poems of Avnî was identified and the example of Arabic completion was never found; but about seven hundred Persian completions were identified. The majority of these persian complements are now seen as elements that come to the forefront as cliched, spread structures. Some of them are also the elements that make up a part of the Turkish completion. The main thing we have to do is the use of Turkish. In our daily speech language we also use the indicated and unmarkable completions, in the first place, all the completions are observed in the subject divine. At this point, we can easily say that although the Arabic-Farsic words and quotes were used in the poems, a strong Turkish speech comes to us.

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