Özet:

The term of “şed maqam”, which is located Arel-Ezgi-Uzdilek theoretical system’s classification of Maqam, continues to be a controversial concept. The concept is usedin the sense of Maqam by Safiyüddin, after him, taking the place of the concept ofTabaqat, transposition means used. When the edvar’s is examined it is observed thata classification does not exist under the name of “Şed Maqam”. Both, the investigations of compositions which is alleged şed Maqam and maqam studies in Edvar’s reveals that there is no such concept as “Şed maqam” in Turkish Classical Music and there is only “şed performance”. The purpose of this article, by clarifying the ongoing discussion of the Sed Maqam,to reveal that maqams, which is alleged şed (transpose), have the characteristics of different cruise itself

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