Özet:

There are two main ways to classify documentary films. The first is the models of the documentary film, and the other is the distinctive modes. In this study, the performative mode, which is one of the six existing documentary modes, will be defined and the documentary "The Women of Heraion Teikhos" (2022) will be discussed as an example of performative documentary in the context of the relationship between performative documentary and memory. The documentary film " The Women of Heraion Teikhos ", which was produced and directed by the author (Özker) and was entitled to receive Documentary Film Production Support by the Ministry of Culture and Tourism, General Directorate of Cinema, was analyzed in this study by content analysis method in the context of memory approach in performative documentary. The aim of this study is to examine how memory is represented in the performative documentary in the context of the relationship between documentary cinema and memory, in the context of documentary film "The Women of Heraion Teikhos". It has been concluded that in "The Women of Heraion Teikhos", which can be characterized as an example of a performative documentary, the subjective qualities of memory are emphasized in connection with stylistic features and that the documentary contains autobiographical elements and documentary has the potential to make memory layers permanent as a form of resistance to forgetting. In addition, this study is expected to contribute to the visibility of women's labor and the transfer of cultural heritage through documentary film.

Anahtar Kelimeler: