Abstract:

The script and directory belongs to Yavuz Turgul, a work that reflects the popular culture of the film period. The Arabic culture, which is the subject of the film, is suitable for the evaluation of the phenomenon of cultural change from the point of view of the cinematic indicator. The aim of the study is to explore the aspects of period culture reflected in the cinema through indicators. In the framework of the study, a indicative analysis of the film poster was made. The indicative analysis was made using the indicative approach of Barthes. According to Barthes, the level of understanding of the image is divided into straight and side. The meaning of the meaning of the meaning of the meaning of the meaning of the meaning of the meaning of the meaning of the meaning of the meaning. What the indicator represents is a straight meaning while the indicator is defined as a side meaning as what the indicator represents. For this purpose, indicator and indicator codes are applied in the form of image-sensitive analysis. In the last part of the study, the message requested to be transmitted is interpreted according to the indicative analysis method of the linguist Seasure.