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Bu çalışma kapsamında romantizm ve postmodernizm kavramlarının genel bir tanımı yapılarak her ikisi arasındaki düşünsel ve sanatsal bağlantılar aydınlatılmaya çalışılmıştır. Bu bağlamda çalışma, karşılaştırmalı bir kavram analizi niteliği taşımaktadır. Düşünsel açıdan her iki kavram da öncelikli olarak Aydınlanmacı modernite eleştirisiyle ırasallaşır. Yazına mutlak anlamda özgürlük tanımaları, sanatla yaşam arasındaki keskin sınırları muğlaklaştırma girişimleri bakımından da sanata bakışları dikkat çekici ölçüde birbirleriyle örtüşür. 1790’ların ikinci yarısında Almanya’da doğan Romantik yazın akımı, 1800’lü yılların başında tüm Kıta Avrupa’sını etkisi altına alarak yaklaşık kırk yıllık uzun bir sürece hâkim olur. Özgürlükçü ve anarşist tutumuyla öne çıkan Romantik akım, 1789 Fransız Devrimi’nin yarattığı özgürlük ve demokrasi ruhunun yazın ve sanat alanına yansıması olarak okunabilir. Fantezi/ düş, duygu, sonsuzluk özlemi ve şiir anahtar kavramlarıyla ırasallaşan Romantizm, modernizmin düşünsel temellerini oluşturan Aydınlanma’nın katı ve indirgemeci usçuluğuna (rasyonalizm) bir tepki niteliği taşır. Postmodernizmse, Aydınlıklar Avrupası’nın “Heil! Heil!-Duçe! Duçe!” haykırışlarıyla devasa kitleleler halinde karanlıklara koştuğu II. Dünya Savaşı sonrasında uyanan yeni bir tinsel bilinci, modernizmin temellerini kökten biçimde sorunsallaştıran bir özdüşünümsellik sürecini ifade eder. Romantizmden iki yüzyıl kadar sonra ortaya çıkan postmodernizm, Romantiklerin başlattığı modernite eleştirisini her anlamda en uç noktasına taşımış ve onların yazını yaşamla bütünleştirerek her tür sınırlandırma ve sınıflandırmadan özgürleştirme istemini bizzat kılgıya geçirmişlerdir. Bu bağlamda postmodernizmin post-romantik olduğu savlanabilir ki, bu çalışmanın temel amacı; postmodernizmin romantizmle arasındaki bu derin bağlantıları açığa çıkarmaktır.
In the framework of this study, a general definition of the concepts of romanticism and postmodernism was tried to illuminate the intellectual and artistic connections between both. In this context, the study carries a comparative concept analysis. From a thought perspective, both concepts are primarily aligned with the Criticism of Illuminating Modernity. The concepts of liberty in the absolute sense of writing, the intense boundaries between art and life, and the views of art are notably interconnected with each other. The Romantic summer stream, which was born in Germany in the second half of the 1790s, dominated the whole continent of Europe in the early 1800s for a long period of about forty years. The Romantic stream, which stands out by its liberal and anarchist attitude, can be read as a reflection of the spirit of freedom and democracy created by the 1789 French Revolution in the field of summer and art. Romanticism, which is aligned with fantasy/dream, feelings, eternity desire and poetry’s key concepts, is a reaction to the rigorous and humiliating rationalism (rationalism) of the Lightning, which forms the mental foundation of modernism. Postmodernism, the Europe of Lights “Heil! Heil! is a duck! The duck!” He was in the darkness with his screams in huge masses. A new sexual consciousness that rises after the World War represents a process of self-thinking that radically problematizes the foundations of modernism. The postmodernism, which emerged up to two centuries after romanticism, has brought the criticism of modernity initiated by the Romantics to the ultimate point in all respects, and they have personally put into force the desire to liberate them from any kind of limitation and classification by integrating their literature with life. In this context, postmodernism can be claimed as post-romantic, and the main purpose of this study is to reveal these deep links between postmodernism and romanticism.
Within the scope of this study, a general definition of the concepts of postmodernism and romanticism was made and the intellectual and artistic connections between both were tried to be illuminated. In this context, the study is a comparative concept analysis. From an intellectual perspective, both concepts are inherited primarily with the critique of Enlightenment modernity. Their views on art coincide remarkably with each other in terms of their absolute freedom to writing and their attempts to blur the sharp boundaries between art and life. Romantic literature born in Germany in the second half of the 1790s, dominated the entire continental Europe in the early 1800s, dominating a long period of about forty years. The Romantic movement, which stands out with its libertarian and anarchist attitude, can be read as the reflection of the spirit of freedom and democracy created by the French Revolution of 1789 in the field of literature and art. Romanticism, which is rationalized with the key concepts of fantasy / dream, feeling, longing for eternity and poetry, is a reaction to the rigid and reductionist rationality (rationalism) of the Enlightenment, which constitutes the intellectual foundations of modernism. Postmodernism expresses a new spiritual consciousness awakened after World War II and a process of self-reflexivity that radically problematizes the foundations of modernism, where Europe in the Enlightenment period ran into the darkness in huge masses with its cries of “Heil! Heil! - Duce! Duce!”. Postmodernism, which emerged two centuries after Romanticism, brought the criticism of modernity initiated by the Romantics to its extreme point in every sense, and by integrating their writing with life, they personally put into practice the desire to liberate from all sorts of restrictions and classifications. In this context, it can be claimed that postmodernism is post-romantic. The main purpose of this study is to reveal these deep connections between postmodernism and romanticism.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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