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Özet Modern Türk şiirinin ilk kadın sanatçılarından Gülten Akın, eril tahakküme dayalı zihniyetin gölgesinde filizlenen bir şairdir. Gülten Akın, sanat anlayışını kadın duyarlılığı ekseninde oluşturur. Geleneksel kadın algı ve rollere itiraz eden şair, iç âleminde yankılanan itirazlarını şiiri vasıtasıyla haykırmayı hedef edinir. Şairlik serüveninin ilk döneminde bireysel mevzuları, izlek olarak ele alır. Genç kızlık dönemi buhranları, yalnızlık, kente yabancılaşma, umut gibi mevzular, Gülten Akın’ın ilk dönem şiirini besleyen unsurlardır. 1960’lı yıllarla beraber sosyal sorunlara da yönelen sanatçının şiir evreninde toplumsal kutuplaşma, evrensel insanla ilgili izlekler belirir. Akın, toplumsal mevzuları politik söyleme kaymadan işler. Bu yüzden şiirlerinde sloganik bir üslup yoktur. 1980’li yıllar, Gülten Akın şiirinin yeniden bireysele yöneldiği üçüncü dönemdir. Akın; poetikasının bu son evresinde bireyi, zaman zaman ontolojik bağlamda ele almakla beraber şiirinin merkezine yaşlılık, yalnızlık, ölümü eklemleyerek insanı iler. Akın her üç döneminde de halk şiirinden beslenerek dil ve üslubunu şekillendirir. Gülten Akın; genel anlamda evrensel bireyin, özelde Anadolu kadınının/annenin iç âleminde iz bırakan, zihnini meşgul eden insana dair hassasiyetler çerçevesinde poetikasını oluşturur. Akın’ın şiirinde beliren özne, yaşadığı dönemle pek uyuşmaz. Bu yüzden yalnız, kırılgan, hassas ve itiraz halindedir. Toplumdan, mevcut düzenden, çağdan kaynaklı sıkıntı, ötelenme yaşayan öznenin ruhsal dünyasındaki devinimler, Gülten Akın şiirinin odak noktasını teşkil eder. Gülten Akın; poetikasını dönemin olumsuz olay, olgu ve anlayışının kadın vicdanında bıraktığı hasar bağlamında oluşturur. Bu çalışma, Gülten Akın’ın Şiiri Düzde Kuşatmak adlı kitabındaki açıklamaları doğrultusunda oluşturuldu.
Gülten Akın, one of the first female artists of Modern Turkish poetry, is a poet whispered in the shadow of the mindset based on eril tahakküme. The smiling flow forms the art understanding in the axis of female sensitivity. The poet who opposes the traditional female perception and roles aims to scream its objections reflected in the inner world through poetry. In the first period of poetry, individual positions are treated as traces. Young girls’ period’s blurry, loneliness, city alienation, hopes are the elements that feed the first period poem of Gülten Akın. In the poetic universe of the artist, which, along with the 1960s, focused on social problems, social polarization, universal humanity appears. The political and social affairs do not work without political speech. There is no slogan in his poems. The 1980s are the third period in which the poem is redirected to the individual. In this final stage of the poetry of the flow, the individual, occasionally dealing with the ontological context, and the center of the poetry, adding old age, loneliness, death, advances the man. In all three periods, the language and the style of the people are feeding from the poetry. In general, the universal individual creates his poetry in the framework of the sensitivities of the man who is engaged in his mind, which leaves a footprint in the inner world of the Anatolian woman/mother. The poetry of the poem does not match the time in which he lived. He is so lonely, fragile, sensitive and in a state of objection. From the society, from the present order, from the time, from the trouble, from the spiritual world of the existing essence, the devils are the focus point of the poem of Gülten Akın. Gülten Akın creates the poetry in the context of the negative events, facts and understanding of the period leaving damages to the female consciousness. This work was created according to the explanations in the poem of Gülten Akın.
Gülten Akın, one of the first female artists of modern Turkish poetry, is a poet who flourished under the shadow of a mentality based on masculine domination. Influx; it constitutes the poetics of the period in the context of the damage caused by the negative events, facts and understanding on women's conscience. Object to traditional female perceptions and roles, the poet aims to shout out his objections echoing in his inner realm through poetry. In his early poems, Akın deals with individual issues such as maiden crisis, loneliness, alienation and hope. Social polarization and themes related to the universal human being are added to the poetry universe of the artist, who also turned to social problems in the 1960s. The 1980s is the period when Gülten Akın's poetry focuses on the individual again. Influx; In this last phase of his poetics, he sometimes takes the subject in a metaphysical context, but takes the “I” and the associated old age, loneliness, and death to the center of his poetry. Gülten Akın shapes her language and style by feeding on folk poetry throughout her poetics. HE IS; He creates his poems within the framework of the sensitivities of the human being who leave a mark on the inner realm of the universal individual in general and Anatolian women in particular. The subject appearing in Akın's poem does not match the period he lived in. Poetry subject; it is lonely, fragile, sensitive and objectionable. The movements in the spiritual world of the subject, which is experiencing distress and translation from the society, the current order and the age, constitute the focus of Gülten Akın's poem. This study was created in line with Gülten Akın's explanations and interviews in his book Poetry Düzde Kuşatmak and their reflections in his poems.
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