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Endüstri devrimi ve gelişen teknoloji ile birlikte küresel kitle kültürü, kendisini hissettirmeye başlamış ve dünyada meydana gelen hızlı değişmeler küçülen dünyanın tüm katmanlarını etkileyen bir yapıya dönüşmüştür. Kitle kültürü tartışmaları, beraberinde kültür sanat üzerinde de köklü değişimler yaratarak kendisini göstermiştir. Giderek artan üretim yöntemleri ve ilerleyen teknoloji, kapitalizmin ve onun sürekliliğini sağlayan dinamiklerin zaman içinde güçlenerek bir tüketim kültürü yaratmasına neden olmuştur. Fakat bu kültür, doğal koşullarda toplumun bünyesinden çıkan bir kültürün değil, kapitalist sermaye tarafından yaratılan yapay bir kültürün küresel olarak yaygınlaşmasına neden olmuştur. Üretilen bu yapay kitle kültürü sanat ürünlerinin metalaşmasından, yaşadığımız her yere kadar sızmış ve toplumu işgal etmiştir. Kitle kültürü aracılığı ile yaratılan sahte algılar, yapay tatlar, imajlar ve alanlarla sürekli üzerine gelinen birey, iktidarın isteği doğrultusunda soluk alıp veren, her an tahakküm mekanizmalarının işletildiği bir malzeme olarak iktidarın sürekliliğini sağlayan bir işlev yerine getirmektedir. Bu bağlamda, küreselleşen dünya ve modern sürecin geldiği noktada sanatçı da üretim ilişkilerinde artık yaşam içinde tutunabilmek için kurumsal yapı ve organizasyonlara boyun eğen, hayatını sürdürebilmek adına kültür endüstrisine entegre olmak zorunda bırakılmıştır.
With the industrial revolution and developing technology, the global mass culture has begun to feel itself and the rapid changes that occur in the world have become a structure that affects all layers of the world that is diminishing. The mass culture discussions showed themselves by creating radical changes in culture and art. The increasing methods of production and the advanced technology have led to the creation of a consumer culture, strengthening capitalism and its continuity dynamics over time. But this culture has led to the global spread, not of a culture that comes out of society under natural conditions, but of an artificial culture created by capitalist capital. This manufactured artificial mass culture, from the metallization of art products, has penetrated and occupied the society everywhere we live. The individual, who is constantly touched by false perceptions, artificial flavours, images and spaces created through the mass culture, performs a function that ensures the continuity of power as a material that breathes and breathes according to the will of the power, where the mechanisms of striving are operated at all times. In this context, at the point of the globalized world and the modern process, the artist has also been forced to be integrated into the cultural industry in order to continue his life, which is now subject to corporate structures and organizations in order to be able to stay in life in production relationships.
With the industrial revolution and developing technology, the global mass culture has started to make itself felt and the rapid changes in the world have turned into a structure that affects all layers of the shrinking world. Mass culture discussions have manifested themselves by creating radical changes in culture and art. Increasing production methods and advancing technology have caused capitalism and its dynamics to strengthen over time, creating a culture of consumption. However, this culture has led to the global spread of an artificial culture created by capitalist capital, not a culture that emerges from society under natural conditions. This produced artificial mass culture has leaked from commodification of art products to everywhere we live and occupied the society. The individual, constantly immersed with false perceptions, artificial tastes, images and spaces created through mass culture, performs a function that provides the continuity of power as a material that breathe in accordance with the will of power and where mechanisms of domination are operated at all times. In this context, at the point where the globalizing world and the modern process have come, the artist has been forced to integrate into the culture industry in order to survive in corporate relations and organizations in order to survive in production relations.
Field : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Journal Type : Uluslararası
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