Özet:

Abdullah Efendi's Dreams (Istanbul 1943) is a story where an anti-idealist philosophy, theory of language-action and the evaluation complexity, rhythm disorder, exaggeration, physiology, and much more subtle dream patterns are fixed on the ground as the basic bases. The intensity of creative expressions in the text creates a whole that is more than the pieces that are skillfully added to each other of the invented comparisons. Despite the end of the fiction, Abdullah Efendi is still alive and dreaming in the mind of the reader is a result of the text's "roman" logic. One of Tanpınar's clearest huns is to create a character and to inspect it in the environment where it is in the state of peace and unreliance, it is inevitable that the mood is guaranteed by the readership and continuity. The story of Abdullah Efendi’s Dreams is in this regard found two bodies in the text (I. and II. It is made up of a total of three Abdullah. and III. Abdullah has a much more possibility of living than others, for this image is in the mind of the reader. The connection of the complexity within the normal flow of the text to a logic through the paradox analysis and the establishment of gestalt and integrity ultimately determines the position that the work will take in the pragmatic layer. In addition, the high metaforic value that covers each other with the definition of "open artwork" in the evaluation of such stories, the "symbol" and "symbol" transitions are seriously indicative. So that the simplest semiotic analysis to be done will also show the destruction or comparison of the cliché with different vech-i networks is of serious movements in the name of the guarantee of durability.