The article reviews recent scholarship on Hungarian cinema in the age of rising nationalism, anti-Semitism and World War II. It looks at two books specifically as they examine issues such as the film industry’s transition from silent to sound film, the nationalization of the film industry system, the impact of anti-Jewish legislation on film making, and political censorship. The article also considers how the books address genre and the birth of star system in Hungarian film.
Alan : Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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