Özet:

It was quite widespread; unlike the definition of palace literature, it has affected a significant part of the reading section of the society, such as state officials, army members, medrese and tarikat herbabi. The fact that the number of poets in this century in the texture and literary historical sources is more than ever, shows that this strong tradition has entered the last century with a great accumulation of knowledge. Specifically, the taricates continued their presence as one of the centers of literary activities along with their scientific missions. The popular taricates like Halvetîlik, Nakşibendîlik have also lived the tradition of divan poetry, even in the most remote regions of Anadolu, and have become a institution in which poets grow up. 19 in this work. In the century, the life of Sheikh Ziyeddin Taşkesenî, who found fame with the identity of Tasavvufi in Erzurum and his surroundings, was discussed; the poems in the classical style identified in a mecmuya were translated into Latin letters, and the texts were studied in detail in terms of shape, muhteva, language and style. Thus, the literary personality and poems of Ziyeddin Taşkesenî, who will be a mutasavvif personality and whilst his gazelles are completely painted in the framework of the classical poetry tradition, will also be awarded to the literary world.

Anahtar Kelimeler:

Özet:

Divan poetry spread considerably among the writing experts, especially in all the regions of the Ottoman geography in the 19th century; contrary to the definition of palace literature, it affected a significant part of the educated section of the society such as civil servants, members of the army, madrasa and religious order experts. The fact that the number of poets in this century in the tezkires and in the sources of literary is more than ever; history shows that this strong tradition entered into the last century with a great accumulation. In particular, religious orders continued to exist as one of the centers of literary activities besides their religious and mystical missions. At the same time, widespread religious orders such as Halvetism and Naqshbandi sustained the tradition of divan poetry even in the farthest regions of Anatolia, and became an institution where the poets trained. In this study, the life of Şeyh Ziyâeddin Taşkesenî, who became famous with his mystic identity in Erzurum and its surroundings in the 19th century, was discussed; his poems of the classical style detected in a magazine were studied in detail in terms of form, content, language and style by transferring them to Latin letters. Thus, the literary personality and poems of Ziyâeddin Taşkesenî, who had a sufistic personality and committed his gazels to paper completely in the frame of classical poetry tradition, will also be introduced to the world of literature.