Özet:

There are, of course, some studies on the works composed by selecting from Divan Literature. In this study, sources such as Hâfız Mehmet Zekâî Dede Efendi Complete Works were reviewed, taking into account the composed works, the lyrics of which contain rhythm(usûl) names. In the literature review, it was found out that the names of the "çember" rhythm and the "sakîl" rhythm were used together in the lyrics of the work of Hâfız Mehmet Zekâî Dede, which starts with the verse of “Peymân-i dilberâne inanmam kefîl ile”. From this point of view, it was aimed to determine the relationship between the rhythm names in the lyrics and the rhythm of the composed work. In the study, works in which the name of any "rhythm" is used in the source were determined, and, in this context, a total of five works were included in the sampling. Different copies of the works were examined and compared with the lyrics anthologies. The centroid patterns of the lyrics in which the name of any rhythm is mentioned have been determined and these determinations have been tabulated under the title of "wording features". In addition, lyrics explanations of the works were included, and they were tabulated by specifying the unknown words. As a result, it was determined that the rhythm of one of the five works within the scope of the study was "zencîr”, of two was çember, of one was sakîl and of one was darb-ı fetih. It was determined that, in the lyrics in which the names of rhythm were mentioned, the rhythm was used with the lexical meaning in some of the works while it was used as the name of the rhythm in some of the works. It was also determined that even if the rhythm was used with the lexical meaning, the name of the rhythm was referred to.

Anahtar Kelimeler: