Abstract:

In Turkey, since the 1970s, migrations from villages (even from borders) have been experienced intensely in the city. The city of Istanbul, which has a great historical layer of these migrations, has also taken its fate too much. As a result of the migrations, different cultures have led to the formation of a milestone culture. After the mix of historical events, identities and the high culture that integrates them with the melezic cultures, psychological and socio-cultural changes have also come with them. The better understanding of social and cultural image, life and behavior in today’s societies is also provided by artists and artists. In this phase, the algorithic understanding reveals a great difference between what the artist wants to say and what they do. In his works on psychological and socio-cultural corruption, Gülsün Karamustafa has founded his own sense of humor with a kind of fact. The style (life, appearance) that exists in the person's fact is classified by an art with a lower copy, while social-cultural differences are also sent. Our artist has used the social-cultural indicators of the time before him in the society in his works, adding his own significance to the allegoric feas. In this work, the artist Gülsün Karamustafa has tried to analyze and interpret ten works of psychological and socio-cultural corruption based on allegoric understanding.

Keywords: