Özet:

Although the Westernization process in Turkish Painting began with primitives in the mid-19th century, it gained momentum with the opening of the Sanayi-i Nefise School and the activities of the 1914 Generation painters. Following this group, the foundation of modern Turkish painting was laid with the Union of Independent Painters and Sculptors. After the dissolution of the Union, the D Group, the Newcomers and the Tens Group were formed respectively. The Group of Ten adapted western techniques to their paintings based on original identity and local subjects. The Group of Ten adopted a universal understanding of art based on a national foundation, starting from our traditional handicrafts. In 1947, ten young students of Bedri Rahmi Eyüboğlu's studio founded the "them" group. The group includes Nedim Günsür, Leyla Gamsız, Hulusi Sarptürk, Fahrünisa Sönmez, Ivy Stangali, Meryem Özacul, Mehmet Pesen, Fikret Alpe and Saynur Kıyıcı. However, Turan Erol, Orhan Peker, Fikret Otyam, Osman Oral, Mustafa Esirkuş, İhsan İncesu, Remzi Paşa and Adnan Varınca were later added to the group. The group held its last collective exhibition in 1954 and then disbanded. The main axis of this study is to analyze the color structures in the paintings of Mustafa Esirkuş, Mehmet Pesen, Nedim Günsür, Fikret Otyam and Orhan Peker, who are among the painters of the Group of Ten, which was created with the idea of realizing the East-West synthesis in Turkish painting, by means of computer programs and to reveal the results. In addition to the literature review technique, the study was carried out qualitatively by using frequency analysis techniques through software to determine the proportions of colors.

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