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Bütün canlılar için vazgeçilmez bir unsur olan ve dolayısıyla her zaman insanlığın gündemini meşgul eden toprak, hemen her kültürde olduğu gibi Divan edebiyatında da başat ögelerden biri olmuştur. Tabiatı inceleyerek, idealize edilmiş bir dünyayı şiirlerine aksettirmeye çalışan Divan şairleri, gerek renk, gerek şekil ve gerekse koku ekseninde hareket ederek, toprağı çeşitli sanatlarla, bilhassa da hüsn-i ta’lîl ve teşbih sanatlarıyla ele alarak, çok yönlü bir şekilde işlemişlerdir. Farklı anlam dünyalarıyla karşımıza çıkan toprak, Divan şairinin elinde mitolojik, folklorik, felsefî, dinî, fennî unsurlarla beslenmiş bir motif olarak karşımıza çıkmaktadır. İçerisinde mücevherler barındırması, ölüm ile ilişkilendirilmesi; kapı, at, gönül, sine, secdegâh, süvari, tavla oyuncusu, yatak vb. kavramlara benzetmelik olması, onu kültürümüzde dikkate değer bir unsur hâline getirmektedir. Ayrıca atasözleri, deyimler, inançlar ve âdetlerle birlikte ele alınarak geniş bir hayal dünyasına konu olmuştur. Bu yazıda, Divan şairlerinin benzetme ve hayal dünyalarında “toprak” motifinin nasıl şekillendiği ve dolayısıyla kültürümüzdeki tezahürü, farklı yüzyıllardaki divanların taranması suretiyle ortaya konmaya çalışılacaktır.
The land, which is an indispensable element for all living beings and therefore always occupies the agenda of mankind, has become one of the main objects in Divan literature, as in almost every culture. By studying nature, the Divan poets, trying to acknowledge an idealized world in their poems, have worked in a variety of ways, by moving in the color, shape and smell axis, addressing the land with various arts, especially the hüsn-i ta'lîl and the promotion arts. The land that comes to us with the worlds of different meanings, in the hands of the Divan poet, comes to us as a motivation featuring with mythological, folkloric, philosophical, religious, philosophical elements. In it is the housing of jewellery, the association with death; the door, the horse, the heart, the sin, the secdegâh, the knight, the plate player, the bed, etc. The fact that it is similar to the concepts, makes it an important element in our culture. It also has been the subject of a wide world of imagination, addressing them together with speeches, phrases, beliefs and affairs. In this article, the Divan poets will try to reveal how the "ground" motivation is shaped in the comparison and imagination worlds, and therefore the manifestation in our culture, by scanning the divans of different centuries.
Soil is an indispensable element for all living things. Therefore, it has always occupied the agenda of humanity. It also has an important place in Divan literature. Divan poets have studied nature and created a perfect world. Divan poets used color, shape, fragrance and various arts. Mythology, folkloric, science, religion and philosophy have benefited from the motifs. Includes jewels, associated with death; door, horse, heart, breast, prostration, cavalry, backgammon player, bed etc. It is similar to concepts. Because of It is noteworthy in our culture. They created a new world by using proverbs, idioms, beliefs and customs. Quince feathers, mirrors, horses, doors, prostrations, cines, treasures, ore, water concepts such as Divan poets have shaped the world of imagination. In this article, it will be tried to reveal how the concept of land in the parables and imagination of the Divan poets is shaped by scanning the divans from different centuries.
Field : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Journal Type : Ulusal
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