Abstract:

The current research is concerned with studying (the aesthetics of the design elements in the future motion graphics), which is located in four chapters. The first chapter is devoted to clarifying the research problem, its importance and the need for it, its goal and limits, and defining the most important terms contained therein. The research problem dealt with the theme of the aesthetics of the design elements in the drawings of the artists of the future movement, by justifying the feature of the design appearance in the painting, based on the state of awareness of the need to give the objective unity of the painting an aesthetic attention that crystallizes the effectiveness of the structural patterns and their conformity with the design act. Most of the drawings of the artists of the future movement, aesthetic frameworks are drawn The design is within the components of the plastic painting, and the importance of the research was manifested in being an attempt to shed light on the aesthetic values based on structural elements that combine drawing and design, as well as how to show the value of the design structures in escalating the aesthetic form of the painting by reading the pictorial surface on structural foundations. The current research is a contribution to supplementing the plastic cultural reality with a new addition, and the research has one goal: to know the aesthetics of the design elements in the drawings of the artists of the future movement, with regard to the limits of the research, the current research has been identified with the drawings executed in oil on Canvas for the period of time between (1909-1914) and the terms (aesthetic - design, futurism) were reviewed within the course of the first chapter. As for the second chapter (theoretical framework) it included three researches, the first research was concerned with studying (conceptually aesthetic between form and content), while the second topic included (the employment of design elements and foundations in artistic formation), while the third topic was concerned with studying (design approaches in the drawings of artists),Future movement). As for the third chapter, it was concerned with the research procedures, which included defining the research community and selecting the research sample amounting to (5) models, then the research tool, which adopted the indicators of the theoretical framework in the analysis of the research sample. In the fourth chapter, the researcher reached the results of the research and conclusions, and then recommendations and suggestions. Among the findings of the current research are: Futurism tried to express the movement in line with its rejection of all forms of imitation and its demand to glorify all forms of innovation and try to destroy all familiar ways of painting as moving things multiply, change and follow like vibrations. Futurist artists deliberately disassembled things and then assembled them by revealing the lines of force inherent in their movement and multiplication of form, then treating space with templates of lines, spaces and colors to take forms that counter the previous approaches. The phonotypical design characteristics of the pictorial surface played a role in formulating aesthetic design visions of a new and unfamiliar type in terms of direction and implementation, in order to achieve the visual attraction of the visual achievement, according to the diversity of design elements and foundations used by the future artist.

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