Özet:

Abstract The article begins with a synthesis of the present relationships between feminist theory, critic and writing practices in Hispanic-American literature. It reminds the necessity of a renewed research on the links of the feminine subject with the artistic creation process. The essay focuses then on new imaginary worlds and new subjectivities that appear in recent women's narration. The author sustains the hypothesis that these texts lead to questioning the limits, be them topographic, national, linguistic, generic: this is shown through the fictional presence of diasporic subjectivities and through the interrogation over the subject's origins. Works of Luisa Valenzuela, Sylvia Molloy, Matilde Sánchez and Pola Oloixarac are commented.

Anahtar Kelimeler: