Özet:

Abstract The article is about the documentary The island of Bergman (2006) by Marie Nyreröd. The aim is to study the cinematographic thought of the director Ingmar Bergman (1918-2007) when analyzing critically two of his classic works: The seventh seal (1956) and Persona (1965). This research privileges the use of concepts about the cinematographic message within the theoretical method of Roland Bathes’ obtuse message. The filmmaker's thought based on existential questions results in the life-death duality and reality-fiction as well as the poetic impact of his ideas for the present moment. Life contradictions are the concerns of the swedish director who launches questions without definitive answers. The conclusion is that his authorial work based on these two films aims to seek perfection and the psychological-existential dimension as well as unveiling the path of interiority.

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