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Nöro imge Patricia Pisters’ın Berlin Duvarı’nın yıkılışı ve 9/11’in politik olarak zeminlediği nörobilimsel ve bilişimsel değişimlerin hazırladığı yeni bir sinematografik imgeyi tanımlayıp açıklamak için Deleuze’ün sinematografik yaklaşımı doğrultusunda ürettiği, hareket imge ve zaman imgeyi takip eden bir kavramdır. Zamanın üçüncü sentezine, gelecek zamana ait olan nöro imge nörobilimsel gelişmeler ve internet çevrimli kültürel gelişmelerle paralel ortaya çıkmıştır. Geleceğin önalımsal tasarlanmasının politik etkisi altında gelecek zamanda sentezlenen sinematografik imgedir. 21. YY sinemasında nörobilimsel ve çevrimsel gelişmelerin yol açtığı temaların bir arada kullanılmasıyla karakterlerin gözünden değil, zihninin içinden, beyin ekranlar aracılığıyla izlediğimiz bir sinematografi ortaya çıkmıştır. Patricia Pisters bu yeni sinematografik ögeyi Deleuze-Guattarici şizoanaliz çerçevesinde ele alarak nöro imge diye kavramsallaştırmış, “beyin ekrandır”, beyin ekranlar çerçevesinde incelemiştir. Bu çalışmada nöro-imgeyi bilim alanına tanıtmak amacıyla Netflix, Black Mirror dizisinde zamanın üçüncü sentezinde yer alan nöro imge, beyin ekranlar ve onlara eşlik eden zihin mimarileri bulgulanıp açıklanmıştır. Bu amaç doğrultusunda şizoanaliz yöntem olarak kullanılmıştır.
Neuroimage is a concept that follows the movement image and time image, produced by Deleuze according to the cinematographic approach, to identify and explain a new cinematographic image prepared by Patricia Pisters' collapse of the Berlin Wall and the neuroscientific and informational changes on which the 9/11 was politically grounded. With the third synthesis of time, the future neurological image appeared parallel to neurological developments and internet-covered cultural developments. It is a cinematographic image synthesized in the future under the political influence of the predictive design of the future. 21 of 21. With the combination of the themes caused by neuroscientific and environmental developments in the YY cinema, a cinematography that we watch through brain screens, not from the eyes of the characters, but from the inside of the mind, has emerged. Patricia Pisters has charted this new cinematographic subject as a neuron image by dealing with the Deleuze-Guattari schizoanalysis framework, "the brain is the screen", and has studied the brain in the framework of the screens. In order to introduce the neuron image to the field of science, Netflix has discovered and explained the neuron image, brain screens and the mental architectures accompanying them in the third synthesis of time in the Black Mirror series. It is used as a schizoanalysis method for this purpose.
Neuro-image is a concept follows up movement-image and time-image, generated by Patricia Pisters through Deleuze cinematography in the aim of characterize and clarify the new cinematographic image which has been assemblaged by neuroscientific and cognitive progresses based on the political occasion of demolition of Berlin Wall and 9/11. It belongs to third synthesis of time, future and formed in parallel neuroscienetifical and online internet cultural develepments. It's a cinematographic image is synthesized at the 3th synthesis under the political effect of pre-emptive design of future. The cinematography appeared in 21th century cinema that we see world within characters minds, not through eyes is assemblaged by themes which are given a lead by online and neuroscientific progresses. Patricia Pisters approached this new cinematographic component in the frame of Deleuze-Guattari schizoanalysis, researched in the frame of "brain is screen", brainscreens and conceptualized. In this paper, neuro-image at the 3th synthesis of time, brain screens and cognitive architectures in Black Mirror serial, Netflix, detected and explained in the aim of introducing neuro-image concept to Turkey cinema field and schizoanalysis utilized as a practice.
Field : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Journal Type : Uluslararası
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