Özet:

Güngör Dilmen, by making some changes to the main story in the historical event in the Baghdad Hatun market, is a historic theatre example. Togay, located nearest to Bahadır Han in the Baghdad Hatun market, where the intensity of personal warnings is formed, is an example of the "bad man archetype" with his actions and attitudes, and with his personal aspirations and revenge desire, he always guides the Goddess of Bahadır negatively. Baghdad Hatun, which is an example of her traditional Turkish daughter/woman before Bahadır Han offered her marriage, is an example of the badwoman who acts with Bahadır's marriage proposal warnings. Both Togay and Baghdad, with the desire for revenge and the vigilance of the Hatun, lead to the fatal death of both themselves and many. The Baghdad Hatun market has previously been studied from different perspectives in private publications related to the market or in studies related to the markets of Güngör Dilmen. In this study, the Baghdad Hatun market has also been evaluated by symbolic reading using the method of archetypical criticism.

Anahtar Kelimeler:

Özet:

Güngör Dilmen creates an example of historical drama by making some changes and reconstructing the main story in the historical event in Bağdat Hatun. Togay, who is the closest to Bahadır Khan in Bağdat Hatun, a play full of personal ambitions and passions, is an example of the villain archetype with his actions and attitudes; he also always affects Bahadır, the Ilkhanid khan, in a negative way. Bağdat Hatun, who sets an example for the traditional Turkish girl/woman before Bahadır Khan proposed marriage to her, exemplifies a female villain acting with her lust and passion after the marriage proposal of Bahadır Khan. Togay and Bağdat Hatun, with their lust and desire for revenge, cause both themselves and many others to die terribly. Bağdat Hatun was examined from different perspectives in independent publications or other studies related to the plays of Güngör Dilmen. In this study, Bağdat Hatun was analyzed and investigated by means of symbolic reading through archetypal literary criticism.