Özet:

Abstract On Kawara´s One million years exhibits enormous temporal magnitudes enumerations, with that, problematizes diverse ways of relation with time as representation and as experience possibility. However, time is apprehended in a sensitive way, therefore time is alienated from the means that try to contain it. But then, how can enumeration show temporary magnitudes in the piece? How can we record time? and how can art articulate time as a productive poetic? From this problem is proposed the following: time in One million years is addressed in three ways; enumeration, imagination and experience. These three modes of time problematize and exhibit the constant abandonment of time in the work of art. This study thinks over these time modes showed in Kawara´s work, contrasting them with artistic proposals that address similar temporalities, reflecting upon the paradoxes and contradictions that the pieces try to display.

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