Özet:

As one of the important facts that interest the society, crime has become a very useful topic, especially for popular films after 1990. Today, the subject of many popular films, crime and the violence that arises related to it, punishment, criminal, victim, etc. It is made up of events or persons. The situation in the Turkish cinema is not different. Many producers who are enthusiastic about Crime and Crime (1996)'s wheat profits have seen Crime as a popular material to be sold. In the list of the films that came into vision after 2000 and was the most famous, Dancing with the Chakles, Colpaçino, Masked Five, Organized Affairs, Ali Baba and the Seven Dwarfs, Who Are You?, the comedy of Yahşi West and Muro; the adventure and drama of the Five Minars or the Hunting Season in New York; and the Wolf Valley's striking of politics with crime, is the best proof of how curious the audience and producers are about the crime. In the same list, the Cabadayı (2007) appears to be structured in the same way as Eşkıya, by movement from crime and crime. The most important thing is to try to see that the various realities about religion, family, state and society are re-produced through crime and criminals. Accordingly, the story of the film and the purpose of the work is to reveal which ideologies under the roof, how it gained work. In the context of this purpose, the film is defined as a sample in the study in the framework of the ideological method. As a result, beyond crime and punishment, various ideologies on religion, family, state and society have been observed through the story and speech elements of the film.

Özet:

As one of the important phenomena concerning society, crime has become quite an instrumental theme especially for the post-1990 popular movies. Today, the theme of a great number of movies is crime and phenomena, events or persons that are related to crime like violence, punishment, criminal, victim, etc. It is not so different for Turkish cinema as well. Many producers who desired to achieve the box office of Eşkıya (Yavuz Turgul, 1996) considered crime as a great material to sell. Movies that came to theatres after 2000 and managed to hit the list of most successful box office titles blend crime with different genres like comedy as in Çakallarla Dans, Kolpacino, Maskeli Beşler, Organize İşler, Ali Baba ve 7 Cüceler, Sen Kimsin?, Yahşi Batı and Muro; like drama as in New York’ta Beş Minare or Av Mevsimi and with politics as in Kurtlar Vadisi. This can be considered as a great sign that the audience and producers are highly fond of the concept of crime. The movie Kabadayı from the same list has a story that was built up based on the perspectives of crime and criminals similarly to Eşkıya. But the most important thing we have to see in Kabadayı is that various realities of life like religion, family, government and society are being reproduced over crime and criminals. In parallel with this idea, the purpose of this study is to determine which ideologies are falling under this story and discourse framework, and how do they become effective. For that purpose, the movie Kabadayı has been chosen as a sample and analyzed in terms of ideological method. As a result, beyond crime and punishment, various ideologies on religion, family, government and society is being reproduced through the story and discourse elements in the movie.

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