Abstract:

Propaganda is visible with images in every new ideology and new production relation. One of the most effective places where the propaganda image is presented with its display forms is the visual and auditory tools of current technology. In particular, the visual language created by digital broadcasting technologies not only became a tool for propaganda, but also influenced artists who wanted to show their ideological attitude from the beginning of the 1900s.This effect, firstly, manifested itself by adding the outputs of digital technology to the literal, traditional imaginary display planes. With the understanding that incorporates the images and outputs of technology into art, most of the artists begin to develop their ideological discourse within the framework of the images produced by these tools.While the change in the artistic transfer styles of propaganda images is clearly observed, these artistic application forms begin to be theoretically based. And it finds its counterpart in "reproduction", which is one of the methods of the postmodern period. In this mode of production, all images produced, including the images of the media and tools in which the information flow takes place, are taken out of context and transformed into the object of another work. In this context, by considering social conditions and changing tools, the production relations of the images produced for propaganda purposes in the painting art and the impact area of these paintings were tried to be determined.

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