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Abstract We aim to investigate the ways of using the soundscape in the essay film Heart of a Dog (Laurie Anderson, 2015). Methodologically we rely on the procedure of the film-based analysis focused on the soundtrack. Our research problem is dedicated to questioning how the soundscape participates in the elaboration of a reflection in development, intended by the essay films. From such discussions about our film corpus, we consider that in the essay films there is a reflexive sound-landscape, which both supports and potentiates the voice-over in its role of concretizing the ongoing thought, as well as discarding it to create new and more complex layers of meaning. Downloads Download data is not yet available. Author Biographies Rafael de Almeida, Universidade Estadual de Goiás Doutor em Multimeios pela Universidade Estadual de Campinas - Unicamp. Professor do curso de Cinema e Audiovisual da Universidade Estadual de Goiás - UEG. Ana Paula de Aquino Caixeta, Universidade Estadual de Campinas Mestranda em Multimeios pela Universidade Estadual de Campinas - Unicamp. Graduada em Cinema e Audiovisual pela Universidade Estadual de Goiás - UEG. References ALTER, Nora M. Sounds Troughts: Hearing the Essay. In: KRAMER, Sven; TODE, Thomas (Org.). Der Essay film: Ästhetik und aktualität. UVK VerlagsgesellschaftmbH, Konstanz, 2011.

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