Görüntüleme
43
İndirme
9
In this study, it is aimed to examine the nâmurâd, heftgâh and şeşgâh makams present in the book named "Edvâr-ı İlm-i Musiki" is numbered "T 1856", which is a copy of Kevserî Mecmuası and is estimated as to be written on one or more missing pages of Kevserî Mecmuası. For this purpose, the written resources of Ottoman/Turkish music and the studies carried out in this field are searched, the existing studies related to the three makams which are found to be in missing pages are examined and the mentioned makams are translated. The translated makams descriptions are transferred into note by using the Arel-Ezgi-Uzdilek system and compared with the descriptions in the recent written resources, the similarities and differences are examined and the data obtained are interpreted and presented in the findings section.
In this study, it is aimed to examine the nâmurâd, heftgâh and sheshgâh makams present in the book named "Edvâr-i Ilm-i Musiki" is numbered "T 1856", which is a copy of Kefserî Mecmuâa and is estimated as to be written on one or more missing pages of Kefserî Mecmuâa. For this purpose, the written resources of Ottoman/Turkish music and the studies carried out in this field are searched, the existing studies related to the three makams which are found to be in missing pages are examined and the mentioned makams are translated. The translated makams descriptions are transferred into note by using the Arel-Ezgi-Uzdilek system and compared with the descriptions in the recent written resources, the similarities and differences are examined and the data obtained are interpreted and presented in the findings section.
Alan : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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